UN/THAID

13 June 2019 ~ 27 July 2019
Grau Projekt, Level 1,
2-12 Alexandra Parade
Clifton Hill, Thailand

UN/THAID - Curated by Vipoo Srivilasa S01E04: Opening & live performance celebrated with cocktails

Melbourne contemporary art space Grau Projekt is presenting 'Un-Thaid', a show curated by a Thai-born Melbourne-based acclaimed artist Vipoo Srivilasa.

Opening on 13 June 2019, the event will be celebrated with a live performance of artist Nakarin Jaikla and cocktails from our artist-curated drinking program.

This exhibition brings together the work of five contemporary artists from Thailand who now live and work in Australia. Arriving in Australia independently of one another across the 1990s and 2000s, these five artists are based in the urban centres of Melbourne and Sydney and have continued their distinct individual practices since arriving in this country. The work on display in this exhibition is a diverse offering, including performance, painting, ceramics, sculpture, video and installation. Articulating multi-dimensional and layered histories, all of these artists are emboldened in their shared cultural experience of growing up in Thailand and then relocating to Australia while continuing to develop and refine their artistic practices. This exhibition features the work of Phaptawan Suwannakudt, Nakarin Aaron Jaikla, Bundit Puangthong, Pimpisa Tinpalit and Somchai Charoen.

Pimpisa Tinpalit is known for her large scale spatial and conceptual installations that transform the materiality of objects. The work for Grau Projekt is an installation featuring new work Silence 1.2.2: a queen size bed suspended Shibari-style from the ceiling with black rope. Like previous Silence works such as the installation Silence #1 1.2 at Lake Wendouree, Ballarat for the Biennale of Australian Art, 2018, the transformation of everyday objects we are familiar with into sculptural forms gives the viewer a silent space for contemplation, to be drawn into the feelings elicited by these objects, and to consider the meanings associated with translating these forms.

Based in Sydney, Phaptawan Suwannakudt was trained as a mural painter with her late father Paiboon Suwannakudt and led a team of painters that worked in Buddhist temples throughout Thailand during the 1980s-1990s. She has translated this skill into creating beautifully detailed paintings. ‘Chang’ or elephant in Thai is Phaptawan's nickname given by her father. The Elephant and the Bush series were completed after her residency at the Arthur Boyd properties in the Bundanon Residency program. In this series, she put together the Australian flora and fauna and the Thai elephant. The work reflects her moving to the Australian society which she is to understand.

Melbourne based painter Bundit Puangthong brings together traditional and contemporary iconography creating a cacophony of colour and images. Inspired by both traditional Thai painting as well as Pop art and graffiti, Bundit stylistically fuses together delicate linework with free form painting and stencil work, creating layered dreamlike worlds full of symbolic references to both Thai and Australian culture. The courage and confidence to undertake such large scale paintings is well informed by Bundit working as sign-writer painting billboards as a teenager in Thailand and previously working as an art director on film sets.

Sydney based ceramicist Somchai Charoen creates vibrant sculptures out of slip cast porcelain. Using ceramic slip cast moulds gives Somchai the flexibility to experiment with layering and repeating forms. His Jaegun vertical sculpture vases playfully stack arrangements of bold geometric shapes on top of each other. Some of the bases of these vases are coloured black while brighter colours, including orange, blue and greens are used to accentuate the multiple levels of the forms. Variations of the vases come in many colours and forms while some appear to lose their balance mid-way, tilting over with abandoned glee.

Performance artist Nakarin Jaikla’s mesmerising video work series VOID uses the movement of the human body through dance to activate space. His video work VOID 4.1 combines the belief of Japanese Buddhist philosophy and Thai folk belief in the spirit. 'The movement of the fabric presents the energy of VOID element and the colours represent the spirit in the Thai culture’, explains Nakarin.

About the curator: For more than 20 years, Vipoo Srivilasa has exhibited both internationally and throughout Australia, including Museum of Fine Arts, Boston; Saatchi Gallery, London; Ayala Museum, Philippines; Yingge Ceramics Museum, Taiwan; Nanjing Arts Institute, China and the National Gallery of Thailand. His work is held in national and international collections including the National Gallery of Australia, the Art Gallery of South Australia, GOMA, and the Craft Council, UK.

2019

Contacts

Email: phaptawan@gmail.com
Mobile Phone: +61 (0)432 540 117